Erndl exhibits how this mythic cycle juxtaposes the conflicting photos on the goddess: seemingly chaste and benign in the public Vaiṣṇava pilgrimage cult and bloodthirsty while in the still left-handed tantricism exemplified by her would-be rapist Bhairava-nātha. Even when the dialogue isn't of the (demi-)god but of transgressive saints, as https://www.youtube.com/@Goldiemadanji